美容按摩手法有哪些
按摩常能收到意想不到的美容效果，学点美容按摩技法是大家普遍的要求。下面学习啦小编给大家介绍美容按摩手法有哪...
美容按摩手法有哪些
美容按摩手法有哪些
按摩常能收到意想不到的美容效果，学点美容按摩技法是大家普遍的要求。下面学习啦小编给大家介绍美容按摩手法有哪些，希望对你有用!
美容按摩手法1、摇法
摇法是用一手握住(或扶住)关节近端的肢体，另一手握住关节远端的肢体，作缓和回旋的转动方法。
[操作要领]摇动动作要缓和，用力要稳，摇动方向幅度须在生理许可范围内进行，由小到大，由轻而重，自慢至快。操作时如在适当拔伸牵引的基础下摇动，效果更好。
因施术部位不同，其具体操作方法及要点亦各异，又分为颈部摇法、肩部摇法、腰部摇法、髋关节摇法、踝关节摇法、腕关节摇法等六种常用的摇法。
[作用与应用]活血化瘀，理筋复位，滑利关节，松解粘连。本法适用于全身各关节部位，是保持各关节正常功能活动的常用保健手法之一。同时亦用于治疗因粘连引起的关节活动障碍。对损伤性疾病，尤其伤筋后引起的关节肿胀，有较好的治疗作用。
美容按摩手法2、搓法
搓法是用双手掌面，相对用力地挟住肢体，快速搓动的方法。
[操作要领]操作时双手用力要对称，并做上下往返的移动。搓动时不可用手掌在肢体表皮摩擦，而应带动皮肤甚或较深组织，才能达到搓法的治疗效果。
[作用与应用]舒筋通络，活血祛瘀。适用于腰背及四肢部减肥，尤以下肢应用较多。
美容按摩手法3、振法
振法是手掌或手指着力于体表一定的部位或穴位上，做连续不断的迅速振动，使被治疗部位产生振动感的手法。又称振荡法、颤法等。
[操作要领]操作时用掌或指着力于一定部位。前臂及手部停止不动.其肌肉有节奏地收缩，使产生的力持续作用于操作部位。操作时腕关节应放松，较缓和地发力，禁止强力收
[作用与应用]消食导滞，调节胃肠功能，和中理气，活血通络。指振法适用于全身各部穴位及面部美容。掌振法为腹部减肥的常用手法之一。
美容按摩手法4、擦法
擦法是用全掌、大鱼际或小鱼际附着在一定部位，做直线往返擦动。
[操作要领]掌擦法操作时手指伸直，全掌着力在体表往返擦动。大鱼际离法操作时，手掌尺侧稍抬起，以大鱼际着力在体表往返擦动。小鱼际擦法操作时手掌桡侧稍抬起，以小鱼际或手掌尺侧着力，在体表往返擦动。擦动时要求手掌向下的压力要小，而擦动幅度要大。频率为120次/分。本法使用时应暴露操作部位皮肤。并可涂以润滑剂，以免擦破皮肤。
[作用与应用]温通经络，活血祛瘀。适用于背、腰、臀、腹及四肢部，为以上部位减肥治疗的常用手法。擦动时多以热透为度。
美容按摩手法5、扳法
扳法是用双手将肢体向相反方向或同一方向扳动。
[操作要领]操作者应沉肩垂肘，两手用力要和缓、平稳、协调、准确，扳动时不可施用暴力。扳动的幅度要在正常的生理活动范围内，并结合病变关节的活动度而定，一般应由小到大，循序渐进，不得强求。
因施术部位不同，其具体操作方法及要点亦各异，又分为颈部板法、肩部板法、肘部板法、腕部板法、胸部板法、腰部板法、髋部扳法、踝部扳法等九种板法。
[作用与应用]扳法具有滑利关节，整复错缝或脱位，松解黏连，矫正畸形等作用。应用时常和其他手法配合使用，起到相辅相成的作用。对年老体弱、久病体虚者慎用本法，对患有关节或脊柱骨性病变、发育不良、强直或僵硬、严重畸形者禁用本法。总之，本法属被动活动关节的一类手法，应用时一定要诊断明确，审慎选用。
美容按摩手法6、拔伸法
拔伸法是牵拉肢体或关节的一种手法。
[操作要领]操作者应沉肩垂肘，用力要持久、稳实、均匀。拔伸时要顺其自然，因势利导，两手配合默契，用力由轻到重，适可而止，切忌粗暴。
因施术部位不同，其具体操作方法及要点亦各异，又分为颈部拔伸法、肩部拔伸法、腕部拔伸法、指部拔伸法、腰部拔伸法、踝部拔伸法六种常用伸法。
[作用与应用拔伸法具有整复错缝、脱位及纠正畸形的作用。本法以四肢部和脊柱部最适用。常用于保健按摩，以保持各关节正常功能活动，同时亦用于治疗脱位、骨折及伤筋等病。
美容按摩手法7、抹法
抹法是用双手拇指罗纹面紧贴皮肤，做上下、左右或弧形曲线往返推动的方法。
[操作要领]本法实为直推法、旋推法、分推法和合推法的综合动作。其不同点是在治疗部位上，可任意往返移动。操作时要求用力均匀，动作缓和，着力要轻而不浮、重而不滞。
[作用与应用]清醒头目，开窍镇静，疏通气血。适用于头面及颈项部，为头面及颈项部按摩美容的常用手法。同时也是治疗头晕、头痛、项强、失眠等病的常用手法。
美容按摩手法8、运法
运法是用拇指或中指指端轻柔地在一定穴位上由此往彼作弧形或环形推动的方法。
[操作要领]本法宜轻不直重，要在体表旋绕摩擦推动，不带动深层肌肉组织，频率一般为80～120次/分。但用于美容按摩时，要求频率要适当加快。
[作用与应用]调和气血，润肤消皱。适用于面、手及足部皮肤，为该部位皮肤美容的常用手法。
浅论霍桑小说的象征手法
浅论霍桑小说的象征手法
论文关键词：霍桑 象征手法 《年轻人古德曼·布朗》论文摘要霍桑是19世纪后期美国浪漫主义作家的杰出代表，也是美国文学的奠基人之一，其代表作《年轻人古德曼·布朗》属于“心之寓言”部分的短篇小说之一。本文试从人物的象征意义、森林和蛇杖的象征意义、梦境的象征意义等三个方面来解读霍桑小说的象征手法。
纳撒尼尔·霍桑（Nathaniel Hawthorne，1804-1864）是19世纪后期美国浪漫主义作家的杰出代表，也是美国文学的奠基人之一。如果从时间的角度划分霍桑的创作，其小说创作可大致分为前期的“新英格兰传奇”部分，中期的“心之寓言”部分，和后期的长篇创作部分。《年轻人古德曼·布朗》即属于中期的“心之寓言”部分的短篇小说之一。所谓寓言，就是用假托的故事来说明某种道理，达到劝诫、教育或讽刺目的的一种文学样式，其特点就是假借客观景物以代表某种观点，使客观的景物成为传达意念的工具。因此在寓言这种文学样式里，就会有大量的根据借助某物的具体形象来表现某种抽象的概念、思想和情感的象征手法的运用。而霍桑的被人称之为“心之寓言”的小说，正是运用了大量的象征手法来表现霍桑对人性之恶、宗教之虚伪的抨击的典型。
小说《年轻人古德曼·布朗》讲述了一个生活在17世纪末、巫术盛行时期的塞勒姆小镇中的青年古德曼·布朗的故事。小说中的布朗不顾新婚妻子的反对，执意要参加魔鬼的约会，并亲眼见证了人性丑恶。小说采用了超现实主义的手法，虚构了魔鬼、出现幻觉的森林、突然醒来的梦境等具有深刻寓意的人或景物，运用了多种多样的象征手法，使小说充满了浓郁的寓言感。
一 人物的象征意义
在《年轻人古德曼·布朗》中，霍桑把小说里的人物分成了两大类，即生活里的好人和生活里的坏人。很显然，年轻的布朗夫妇就是典型的好人，因为“古德曼”在英文中是“好人”的意思，而布朗的妻子费丝的名字在英文中就是“忠实”、“信仰”的意思，对于妻子的忠实，布朗显然是深信不疑的，所以小说里才写道：“这名字对她恰如其分。”正是因为有费丝这位忠实而美丽的妻子的存在，才使好小伙子布朗赶赴魔鬼约会的决心一直在动摇，他的脚步迟疑着，内心中善与恶的斗争十分激烈：“天国在上，费丝在下，俺还是在对抗魔鬼，坚定不移！”然而，最终的结局却是让人失望的，行走在森林里的布朗虽然脚步并不快，但他却一直向前，特别是听到森林里费丝的哭声，确认自己最忠实的妻子费丝也来赶赴魔鬼的约会时，他心底那最后一点对光明的坚守破灭了，他开始感到绝望，狂叫着：“人世上根本没有善！罪孽不过是一个空名！来吧，魔鬼，因为这个世界都归你了！”“他纵声大笑，笑了许久。然后抓起拐杖又往前走，顺林中小路大步流星，不像在走，倒像在飞。……凭着凡人向恶的本能，他仍旧往前冲。”
布朗这种道德感的突然坍塌正表现出17世纪的美国移民的心理特征，布朗属于清教徒第三代移民，他原本是最虔敬、生活最圣洁的新教徒。100多年前，布朗的祖先们怀着纯洁的理想来到北美陆地开疆拓土，决心通过自己的勤劳和创造，把北美荒园建成他们理想的纯洁的人间乐土，并给后代们留下了道德上的楷模。作为这批拓荒者的子孙，小伙子布朗向往纯洁善良，追求道德上的完美。他对人性的纯洁善良有足够的信心，对生活怀着美好的希望，对妻子也有着深沉的爱。但与此同时，基督教的原罪说、人的内在堕落论又使笃信加尔文教的人们对人类的道德操守持怀疑态度，他们更容易看到存在于社会群体中阴暗的、残缺的、愚蠢的、罪恶的一面，从而更加坚信了原罪说的可信性。
霍桑笔下的这两个好人形象（布朗和费丝）正是代表着纯洁人类的典范，当他们的信念倒塌，纯洁的个性遭到毁灭时，其象征寓意是十分深刻的。19世纪30年代，美国发生了一场深刻的思想解放运动，这场运动的代表人物有爱默生、梭罗和富勒等，其代表思想就是超验主义。爱默生的《论自然》和《美国哲人》等作品中的超验主义理论，直接对抗加尔文教的正统思想，他主张人类应当回归自然，强调个性独立，应当从“美”角度放眼自然，从自然中获得最高的精神体验，从而使灵魂与自然合而成为宇宙。超验主义者所说的“自然”包括物质的自然与精神的自然，人类应当通过体验“自然”、置身于自然之中而净化灵魂，而不能依靠抽象的、压抑人性的教义来扭曲抹杀人性。这种超验主义思想深深影响了霍桑，霍桑把对超验主义的理解表现在他的小说人物身上，他试图通过裸露人的内心精神来展现人性的自然性和多面性，并以此来暴露宗教的虚伪。对此，美国著名小说家赫尔曼·麦尔维尔评价道：“他（霍桑）的最伟大的成就就在于他擅长对黑暗的描写，在于他对于人类心灵深处的黑暗的描写。”
在《年轻人古德曼·布朗》中，热心于赶赴魔鬼约会的并非只有布朗夫妻，而是一个很大的人群，他们大多都是在真实的生活里非常受人尊敬的人，有的是“非常虔诚的太太”，有的是“翌日将在州议会上露面的人物”，这些平日公众心目中的谦谦君子或淑女，却在这种含意暧昧的场所出现，和一些“自甘堕落的男人”、“声名狼藉的女人”杂合在一起，形成了“好人并不回避坏人，罪人面对圣人也毫无愧怍”的奇怪场景，难怪会让布朗震惊。因为这些人都是思想受到严格控制的清教徒，是在安息日里向大众布道的虔诚人物，他们在公众（包括布朗）的眼中是追求无欲无念、全身心皈依宗教的纯洁人物，现在却和魔鬼搅和在了一起，可见人的内心里隐藏着多么深刻的罪恶。这个人群的出现暴露了宗教的虚伪性，凸显了霍桑小说中“人性之恶”的最基本主题。正如英国作家劳伦斯评价的那样：“霍桑是一个可爱的蓝眼睛小伙子，他对人类心灵深处的罪过一清二楚，并用巧妙的伪装加以揭露出来。”
二 森林和蛇杖的象征意义
《年轻人古德曼·布朗》的整个故事场景设置于森林之中，而且是深夜里的森林，这又是寓言故事的一大特征。在许多古老的寓言故事中，发生故事的场所都是森林，如《伊索寓言》、《克雷洛夫寓言》中的许多故事，都是以森林为背景的，因此，“森林”成了寓言类作品的一个常用的场景和常用的象征体，在寓言里，森林早已不再是一个植被密集的可爱所在，而是一个充满黑暗、凶险、迷幻、鬼怪的地方，而《年轻人古德曼·布朗》这种充满寓言色彩的小说放置于森林这个场景中去，正是想让好小伙子布朗的这次与魔鬼的约会充满玄秘与凶险。果然，好小伙子布朗自从进入到森林里之后，森林便开始展露它的凶险，森林一直制约着布朗的行动，布朗一开始“踏上了一条凄清的小路，阴森森的树木遮天蔽日，挤挤挨挨，勉强让狭窄的小径蜿蜒穿过。人刚过，枝叶又将小路封闭了起来，荒凉满目。”这象征着布朗走向的是一个阴暗的所在，同时也说明布朗踏上的是一条灵魂的不归之路，黑夜笼罩下的森林给人更加深刻的罪恶感，单纯的布朗将在这种罪恶的挤压之下走上道德的反面。而当布朗看到自己纯洁的妻子也受到魔鬼的诱惑，感到纯洁的世界已被颠覆时，他身边的森林也发生了奇特的变化：“树木吱吱嘎嘎，野兽嗷嗷嗥叫，印第安人哇哇呐喊。”当布朗明白邪恶和力量是多么强大的时候，森林这个隐藏魔鬼的地方也显露出了它的本来面目，将一切邪恶都展现了出来，使身陷其中的布朗更加疯狂，更加丧失理性。在森林风声的伴奏之下，布朗听到的唱赞美诗的歌声也变了样：“这不像人声，更像幽黑荒野中的一切一齐发出的轰轰呼声，阴森可怖。”在这里，森林完全成了一个罪恶的世界，正如小说中的黑色的人影（魔鬼的化身）所说的那样：“整个大地就是一块罪恶的污迹，一块巨大的血迹，远远不止这些。”
另外，在小说中还出现了一个重要的道具：一根弯弯曲曲的蛇杖。这根蛇杖拿在布朗的同行人的手里，这个同行人其实就是魔鬼的领路人，也是一切罪恶的怂恿者。每在关键的时候，蛇杖就可以引诱、扶持奔赴魔鬼约会的人向前行走，让他们进入罪恶的深渊中。作者在小说里多次写到这根蛇杖，并一再强调它是“最引人注目的东西”：“一条酷似黑蛇的手杖，精雕细刻，活脱一条扭来扭去的大蛇。”；“他把手杖往她脚下一扔，到了她那儿，那东西大概就突然变成了活物，因为主人曾把它借给过埃及的魔术师。”这根蛇形的手杖的原型显然来自于伊甸园里的那条引诱亚当夏娃犯下原罪的蛇，蛇形手杖的寓意就是指引人们奔向罪恶，诱惑人们犯罪，正如霍桑在《自我中心；或心底之蛇》中所写：
“于是他就使自己那条实际的蛇——如果他心底当真有一条蛇存在的话——成了每个人致命的错误或密藏的罪孽或不安的良心的预示，并且毫不懊悔地将其蜇牙扎进最痛苦的地方。”
三 梦境的象征意义
在小说的结尾处，霍桑设下了一个悬念：他让好小伙子布朗在魔鬼的受洗仪式就要实施的关口突然惊醒过来，好像从一场噩梦中猛醒过来：“邪恶的化身就在这里头（指一个天然的盛满鲜血的凹坑）浸湿他的手，准备在他们额头上留下受洗的印迹，好让他们分享罪恶的秘密……‘费丝，费丝，’丈夫叫道，‘仰望天堂，抵挡邪恶！’话刚出口，就发现自己已孤单单地身处宁静的夜，正侧耳倾听风声沉甸甸地穿过森林，消失无声。”就是在这一声对上帝的呼唤声中，原本嚣张的魔鬼突然消失，森林归于平静，所有的人们都退去不见。那么布朗方才经历的一切真的就是一个梦吗？霍桑在小说里并没有明白地告诉读者，这就成了他留下的又一个象征性的寓意，读者可以从霍桑的身世里去寻找答案。
霍桑出身于一个真正的清教徒世家之中，霍桑家的第一代祖先曾是一位殖民地法官，因对17世纪新英格兰贵格会成员进行残酷的迫害而臭名昭著，而第二代祖先与1692年塞勒姆的“驱巫案”有关，因而受到了严厉的诅咒，这一切都在霍桑敏感的心灵上留下了抹不去的阴影。祖先所犯的罪行在他心中引起的罪恶感如此深重，以致他时常怀疑其家族的败落、父亲的早亡与此相关。为此，他曾经改姓，以示自己与家族祖先之区别。这一切造成了霍桑创作上的独特心理：他既相信“原罪说”，又不肯全面接受“原罪说”；既相信“一代人的罪孽要延续到后代”的说法，又不甘于顺从这种宿命的安排。所以，霍桑一方面认为人类有向恶的本性，一方面又力求通过道德的力量得到精神上的救赎，从而获得新生。于是在《年轻人古德曼·布朗》中，霍桑不甘心于让好小伙子布朗真正落入魔鬼之手，所以在小说的结尾安排了一个悬而未决的结尾，让道德的力量在关键时刻起了作用，唤醒了沉迷在邪恶中的人，这也说明了霍桑的宗教观点：“内在世界一旦净化，外在世界游荡着的许多罪恶都会自行消失。”同时也说明，人类的内心虽然存在着恶念，也同时存在着向善的力量，如果一个人能坚守内心的高尚情感的话，再可怕的魔鬼也会自动退却。
在《年轻人古德曼·布朗》中，还有许多象征手法的运用，如费丝的粉红色缎带、黑夜里怪异的圣歌、点燃的松树、森林里一块巨石形成的祭坛，都有着善与恶、美与丑的深刻寓意。正是在这一连串的象征手法中，霍桑小说的主题更加深刻，人物性格更加丰满，寓言特征更加鲜明，宗教的理念与小说的手法巧妙地融合在了一起，霍桑的道德观得到了很好的诠释。正如李燕乔在《西方现代文学中的原罪说》所评价的那样：
“文学和宗教虽然有着天壤的区别，但至少有一点是共同的，它们都试图对生活中的现象和人的本质做出评判，只不过两者的方法和结论完全不同。西方现代文学所表现的人和社会在某种程度上更接近基督教对人和社会的描述，现代作家更多地把社会的弊端归于人的天性，希望通过某种途径使人性得以净化，从而使现代人摆脱他们的困境。”
参考文献：
[1] 李燕乔：《西方现代文学中的原罪说》，翁义钦编：《外国文学与文化》，新华出版社，1989年版。
[2] 程爱民：《美国文学阅读教程》，南京师范大学出版社，2005年版。
[3] 张冲：《新编美国文学史》（第一卷），上海外语教育出版社，2000年版。
广告语手法分析
广告语手法分析
1．比喻：彩蝶纷飞，多姿多彩。(手帕广告)
我的第一张名片。(潇翔西服)
长虹——中国人心中的彩虹。(电器广告)
2．对偶：
使头发根根柔软，令肌肤寸寸嫩滑。(白丽香皂)
召唤东方男性阳刚之气，尽显中国男士不凡气派。(杉杉西服)
笑意写在脸上，满意装在心里。(南京新街口百货商场)
3．引用：
何以解忧?惟有杜康。(杜康酒)
衣带渐宽终不悔，常忆宁红减肥茶。
敢问路在何方，路在北旅脚下。(北京旅行社广告)
趁早下“斑”，请勿“豆”留。(化妆品广告)
4．反复：
熬呀熬呀，熬瓣酱，好东西都在酱里藏，熬呀熬呀，熬瓣酱，熬出读书好儿郎。
字幕——阿香婆熬出来的好酱。(阿香婆瓣酱)
燕舞，燕舞，一曲歌来一片情。(燕舞牌录音机)
5．对比：
千军易得，一将难求。(将军冰箱)
6．夸张：
今后不必再用牙齿了。(美国啤酒)
眼睛一眨，东海岸变成西海岸。(航空公司)
7．讳饰：
晚一分钟回家比永远不回家要好得多。(交通广告)
8．双关：
华讯寻呼，勿失良机。
不打不相识。(打字机广告)
饲宝920，催猪不吹牛。
爱是正大无私的奉献。
实不相瞒，天仙牌的名气是吹出来的。
人类失去联想，世界将会怎样。(联想电脑)
美满生活从中意开始。(中意冰箱)
9．排比：
天天呼吸，空气不可污染；日日饮用，水源不可污染；餐餐进食，蔬菜不可污染。(公益广告)
山之青，水至清；源之静，水至净；雾之轻，水至淳。(干鸟湖纯净水)
春季给您带来沉醉，夏季给您带来欣慰，秋季给您带来甜美，冬季给您带来回味。(新飞冰箱)
像呼吸一样真实，真实是惟一记住的话，真实是一张自由的脸．真空是沉淀后的完美。(诗芙浓化妆品)
带着春天的问候，带着柔柔的温情，带着吉祥的愿望，我们来到您的家。(美菱冰箱)
艳艳浓水绿，鲜鲜玻璃绿，娇娇鹦毛绿，嫩嫩青葱绿，浓浓菠菜绿，条条丝瓜绿，明明阳俏绿，点点梅花绿，亮亮松柏绿，淡淡湖水绿，静静荫花绿，闪闪祖母绿。(金饰店)
10．拟人：
与狼共舞，尽显英雄本色。(七匹狼)
我们排行老二，自当全力以赴。(艾维思出租车公司)
你的镜子将不再嘲笑你。(衬衫广告)
愿我的翅膀似你的秀发那样飘逸。(海鸥发膏)
一握汇丰手，永远是朋友。(汇丰公司)
显然刚被飞利浦吻了一下。(剃须刀)
11．综合运用多种修辞：
一夫当关，万夫莫开。(锁厂)(夸张、引用)
猛虎一杯山中醉，蛟龙两盏海底服。(酒)(夸张、对偶、拟人)
大石化小，小石化了。(药)(飞白、引用)
春来江水绿如兰。(春兰空调)(引用、藏字)
“六神”有主，一家无忧。(花露水)(仿词、对偶)
皮张之厚，无以复加；利润之薄，无以复减。(鞋店)(对偶、夸张、对比)
星汇银河系，人聚不夜城。(比兴、对偶)
见爱，见爱，人见人爱。(服装)(反复、夸张)
不求锦上添花，只求雪中送炭。(典当行)(对偶、对比)
三人行必有我师，三人行必有我鞋。(鹤鸣皮鞋)(引用、夸张)
本品在世界各地的维修工作是最寂寞的。(空调)(夸强、拟人) <--printpage.asp##{$bbslist}循环部分--> -- 作者：zrzj
-- 发布时间：2003-6-26 9:14:17
--
大红鹰——我们百折不挠，大红鹰，新时代的精神！
——大红鹰，胜利之鹰！
新品上游——你有我有，新品上游！
五一系列——紧握五一手，永远是朋友！
国际五一——国际五一，温州人的风采！
红金龙——日出东方，红金龙！
白沙系列——鹤舞白沙，我心飞翔！
将军系列——弹指间，尽显将军本色！
利群系列——利群，永远利益群众！
迎客松——迎客松，友谊之树常青！
太阳岛——同在蓝天下，共享太阳岛！
人民大会堂——人民大会堂，往事如烟，回味无穷！
金圣——功到自然成！
东方——日出东方，天地辉煌！
乘风——大浪淘沙，乘风而上！
宇宙——马季佳话传“宇宙”！
芙蓉王——芙蓉绽放花开一王！
——华夏瑰宝一王情深！
红新安江——新安江，不同凡香！
甲天下——心高远，甲天下……
金圣——金圣。功到自然成！
金牌七匹狼——金牌七匹狼，男人的风采！
一品黄山——一品黄山天高云淡！
春雷——春雷一声震天响！
——春雷畅想新世纪
发时达——神州呼唤发时达！
——莫道风尘苦，相伴发时达。
一品梅——一品梅芳香满人间！
天之娇子——娇子卷烟系列
长白山——一品长白山更思北国情！
真龙——成功成就真龙！
白沙——鹤舞白沙，我心飞翔！
七匹狼——与狼共舞，尽显英雄本色！
芙蓉王——传递价值，成就你我！
中华——爱我中华！
红玫——一支红玫在手，无限温辛享受！
猴王——成功者的品牌！
好猫——心随好猫意纵天高！
公主——公主真情我心永恒！
铂金玉溪——腹有诗书气自华！
铂金红塔山——山高人为峰！
玉溪——青山绿水，碧玉成溪！
世纪红塔山——火红的日子，闪亮的人生！
神驹——神驹一到，烟燃一笑！
醇香红梅——老朋友，总有新感觉！
恭贺新禧——添喜添喜，恭贺新禧！
阿诗玛——钟情专一，气质超群！
宝石——新感觉，新口味！
南京——品味南京吐纳豪情！
红杉树——卓然红杉树，超越田地间！
一品梅——芳香献社会，真情满人间！
黄金叶——黄金叶，伴君黄金事业！
闯爷——闯爷豪迈，领先时代！
洛烟——九龙腾飞洛烟生辉！
小浪底——成功男人的品味！
MARLBORO——Man Always Remember Love Because Of Romantic Only！（万宝路MARLBORO）——男人只记住爱情中浪漫的成分！
万宝路——跃马纵横，尽情奔放，这里是万宝路的世界──欢迎您加入万宝路的世界！
健牌——健牌KENT——KissEasyNotTeach！吻很容易，不用教！
美国骆驼——神秘的骆驼要来了。
古巴“哈瓦那雪茄” ——你想得到真正的爱情吗？请找一位卷烟工！
美国“云丝顿”香烟——吸美国云丝顿，领略美国精神。
美国“健”牌香烟——美国的自由女神。
“总督”牌香烟——思想家的滤嘴，吸烟者的雅兴。
“摩尔”香烟——与众不同的造型广告──细、长，通体为褐色。
《蝴蝶梦》文中悬念手法赏析
《蝴蝶梦》文中悬念手法赏析
[Abstract] Suspense is an important element of writing. Its special feature, as the English dramatist, William Archill said, “to predict a very attractive state of affairs without telling it out.” On suspense’s forming, the English critic, David Lodge has incisive recapitulation,” To set forth a question and postpone the answer.” To be exactly, that is, to stress a main, unusual situation. And there is enough time and space left for readers to imagine.
Daphne du Maurier brings skill of suspense into full play in her most famous novel Rebecca .In it; she sets forth a series of suspense, including both full-text suspense and partial suspense. Moreover, smaller suspense have mutual relations in or among each level. This kind of arrangement not only because the motive force which helps the plots develop but also draw readers to read and guess what is in the next step.
This article expounds the special skill using a series of suspense in Rebecca and its artistic effects. And then，the novel’s design..
[Key Words] Rebecca; suspense; Manderley; implications.
【摘 要】 悬念是一种独特的文学结构形式,其重要特征,用英国戏剧理论家威廉·阿契尔的话说,就是“预示出一种十分吸引人的事态,却不把它预叙出来.”对于悬念的形成,英国当代小说批评家戴维·洛奇曾作过精辟的概括,即“提出问题，延缓提供答案”.具体而言,就是突出不同寻常的情境并延缓批露底细,使其呈明显的悬而未决的状态.
达夫妮·杜穆里埃在《蝴蝶梦》(原名《吕蓓卡》)中充分发挥悬念这一独特的文学结构形式的优势,设置了一系列悬念,这些悬念不仅成为推动故事情节发展的内在动力,而且极大地刺激读者的阅读兴趣,给读者带来了独特的审美感觉.本文从结构上探讨作品别具匠心的悬念艺术,以助于更好的欣赏作品中的悬念。此外，从创作手法的角度剖析了文中一系列悬念手法产生的非同一般的艺术效果，指出这种手法在全文篇章结构中的重要作用。
【关键词】《吕蓓卡》;悬念；曼陀丽；暗示
1. Introduction
The English female writer, Daphne du Marrie had been a member of the Royal Society of Literature. She had written 17 novels and tried more than 20 kinds of styles in literatures writing, Daphne lived in Cornwall, a country on the Atlantic coast, North England, for a long time. Most of her works set background in the local conditions and customs. As a result, “Cornwall Novel” is given as a name for her works.
Being deeply influenced by Gothic Novel, which is famous for its mystery, curiousness and terror, Daphne wrote her works with plots full of twists and turning.
Any one who has read Rebecca, the most famous novel written by Daphne, will never forget those dismal and constrained scenes and horrible imaginations. However, the specific feature of this novel is its using lots of suspense carried through the whole story. This has made its plots intricate but well-knit and soul stirring.
Add to this, Alfred Hitchcock filmed Rebecca in 20th century, considered as one of the well-known suspense films.
Suspense is an important skill of writing. It is also an singular design of literature writing. Its special feature, as the English dramatist, William Archill said,“ …to predict a very attractive state of affairs without telling it out.” [6]
Usually, it sets forth a question and postpones the answer. To be more exactly, that is, to stress a main, unusual situation. And there is enough time and space left. The reason of causing the situation doesn’t appear at once.
In this novel, Rebecca, there are 3 levels of suspense.
In the opening sentences of the book, Manderley is noticed. The lines of describing the heroine’s dream are full of misgivings and mystic.
“As I stood there, hushed and still, I could swear that the house was not an empty shell but lived and breathed as it had lived before.”[4](P7)
“A cloud, hitherto unseen, came upon the moon, and hovered an instant like a dark hand before a face.”[4](P7)
“The house was a sepulcher, our fear and suffering lay buried in the ruins. There would be no resurrection. When I thought of Manderley in my waking hours. I would not be bitter.”[4](P7)
Then “I” come to the reality from dream. “I” am thinking about Manderley and all happened in it that cannot hurt. These words have put forward the first suspense, that is, what a story happened in such a ruined, barren garden? Who is “I”? It catches readers’ eyes at once. Therefore, they are hastened to go further into the story, into the story about my life experience in Manderley.
2.The first level of suspense: Rebecca is a good wife with brains, beauty, and breeding?!
2.1Phoney
This is the main suspense, which goes through the whole story. In the story, the heroine and readers are mentioned time to time that Rebecca is a good wife who is beloved by Maxim.
“Mrs. Van Hopper said’, He looks ill, doesn’t he? They say he can’t get over his wife’s death…”[4](P15)
“…The Manderley parties were famous when she was alive, …”[2](P64)
“The bishop’s wife said,‘…(Rebecca)she was a very lovely creature, so full of life. ’
‘She was certainly very gifted. I can see her now, standing at the foot of the stairs on the night of the ball, shaking hands with every-body, that cloud of dark hair against the very white skin, and her costume suited her too, Yes, she was very beautiful.” [4](P131)
And in Mrs. Danvers eyes, Maxim could not live without Rebecca. After her death, he can’t go to sleep; he moves away from the bedroom and travels out for a long time in order to get over it.
Even for Maxim’s grandmother, Rebecca has made a great fuss of her. The old lady has never forgotten her and asks for Rebecca all the time.
All these seems that Rebecca is a kind, generous, elegant woman, a perfect wife. People around the town know her well and all praise her even when she is dead. Rebecca has a gift of smartness; she masters her power, finances and resources to run Manderley into the most famous show place in all the country. “ She is damnably clever. No one would guess meeting her that she was not the kindest; most generous, most generous, most gifted person in the world. She knew exactly what to say to different people, how to match her mood to theirs. Had she met you, she would have walked off into the garden with you, arm in arm, calling to Jasper, chatting about flowers, music, painting, whatever she knew to be your particular hobby. And you would have been taken in, like the rest. You would have sat at her feet and worshipped her.” [4](P283-P284) This is Maxim’s description of his wife, Rebecca.
2.2Truth
And Rebecca does succeed, or we would rather say, Daphne does succeed. Daphne used people’s actions and words to set up suspense .In fact, Rebecca is just completely opposed the impression being felt. Things are that Rebecca is a debauchee. “She was vicious, damnable, rotten through and through.”[4](P283) She knows Maxim’s disadvantage and has made good use of it. She knows that Maxim will never stand in a divorce court and give her away, have fingers pointing at, mug flung…
Rebecca would curse people, using every filthy word in her particular vocabulary. Rebecca does what she likes, she lives, as she likes. She sticks a big brute of horse, slashing at him, drawing blood, and digging the spurs into the horse. She sits on the hills above Monte Carlo, laughing, and tear flowers into fragments. She is like the devil. She seduces all kinds of man, even his husband’s brother in-law. Even when she has got a cancer, she inveigles her husband into a murderer!
2.3Hints
Though we haven’t known the truth till Chapter21, the writer has set hints. When we finish reading we will become aware of it and look back the whole story.
2.3.1Maxim’s attitude
Yes, firstly, we find that Maxim doesn’t welcome topics either about Manderley or his dead wife when he first appears in Monte Carlo. When Mrs. Van Hopper praises Manderley as a fairyland, “…(Maxim) he went on smoking his cigarette, and I noticed faint as gossamer, the line between his brows. [4](P19) ‘His silence now was painful. His own words must have jolted a memory for his face clouded again and he frowned very slightly.” [4](P20) All this indicates that he has something unhappy happened in his home, Manderley, there must be some bitter memory.
On his wife, Rebecca, Maxim says as below: “All memories are bitter, and I prefer to ignore them. Something happened a year ago that altered my whole life, and I want to forget every phase in my existence up that time. Those days are finished. They are blotted out. I must begin living all over again.”[4](P43)
“ I was there some years ago, with my wife. You asked me if it was still the same, if it had changed at all. It was just the same, but I was thankful to realize oddly impersonal. There was no question of the other time. She and I had left no record.” [4](P43)
Such sentences show Maxim’s unhappy life with his first wife—Rebecca.
2.3.2 Others’ odd manner
Secondly, Frank’s odd manner when “I” talk about Rebecca; and Beatrice’s rather different negative attitude. The silence is a silence born of shame and embarrassment. Frank says, “…We none of us want to bring back the past. Maxim least of all. And it’s up to you, you know, to lead us away from it. Not to take us back again.” [4](P141)
Readers may a little hesitate when they came to this. Why does Frank say so? Well, isn’t the past good enough for them? After all, their hostess is almost perfect. Therefore, the curiosity drives us go on reading. There seems a mist. We have an egger to look through it to the core. That is what suspense skill used perfectly by Daphne. She gives us a dream, and all of us get drown in it. The great writer handles our inquisitiveness skillfully.
2.3.3 Rebecca’s handwriting
Rebecca’s handwriting has given us a lot of implications. It gives us an inkling that what a person Rebecca is. She is strong, proud, independent, debauched, like a demon.
“‘Maxim from Rebecca 17may,’ written in a curious slanting hand. A little blob of ink marred the white page opposite, as though the writer, in impatience, had shaken her pen to make the ink flow freely. And then as it bubbled through the nib, it came a little thick, so that the name Rebecca stood out black and strong, the tall and sloping R dwarfing the other letters.”[4](P37)
“They slept in peace, the grass blew over their graves. How alive was her writing though, how full of force. Those curious, sloping letters. The blob of ink.”[4](P62.)
2.3.4The unusual rhododendron
The rhododendron, which Daphne describes in this novel, is not just a kind of flower. In some sense, it is the character of Rebecca, bloody, cruel. It has created an atmosphere of constrained and terror that shades Maxim’s second marriage.
“The nameless shrubs had disappeared, and neither side of us was a wall of color, blood-red, reaching far above our heads. We were amongst the rhododendrons. There was something bewildering, even shocking, about the suddenness of their discovery. The words had not prepared me for them. They startled me with their crimson faces, massed one upon the other in incredible profusion, showing no leaf, no turning, nothing but the slaughterhouse red, luscious and fantastic, unlike any rhododendron plant I had seen before. [4](P70)
Rebecca considers rhododendron as her favor. Bloody-red flowers are like something flowing in Rebecca’s bone. She is dying for wiping out something, especially man. She wants to conquer everything. It seems that she gets a lot of pleasure from dallying with all kinds of man; no matter he is in the upper class or a gardener! She tries all her best to satisfy her lust for sexual. But she laughs at everybody and fears nothing.
“…For to me, a rhododendron was a homely, domestic thing, strictly conventional, mauve or pink in color, standing one beside the other in a neat round bed. And these were monsters, rearing to the sky massed like a battalion, too beautiful I thought, too powerful; they were not plants at all.” [4](P70)
Yes, those rhododendrons in Manderley are not plants at all, as Rebecca seems to be no human at all. Just as Maxim describes, she is not even normal. And Mrs. Danvers said, “she were born into the world to take what she could out of it. Rebecca had all the courage and spirit of a boy. She ought to have been a boy instead of a girl. She did what she liked; she lived as she liked. She had the strength of a little lion too. I remember her at sixteen getting up on one of her father’s horses, a big brute of an animal too, that the groom said it was too hot for her to ride. She stuck to him, all right. I can see her now, with her hair flying out behind her, slashing at him, drawing blood, digging the spurs into his side, and when she got off his back, he was trembling all over, full of froth and blood.” [4](P254)
This description suggests Rebecca well: wanton; cruel and sly.
2.3.5 Ben’s words
Besides, the idiot Ben’s action also shows Rebecca’s hoof. Ben has been frightened badly by Rebecca just because he sees her wanton in the cottage.
“(Ben) He held the fishing cline clutched to his heart like a treasure. ‘You (“I”) won’t put me to the asylum, will you?’ he said.
‘You are not like the other one,’ he said.
‘What do you mean? ’I said,‘what other one? ’
He shook his head. His eyes were sly again. He laid his finger against his nose. ‘Tall and dark she was,’ he said, ‘she gave you the feeling of a snake. I had seen her here with my own eyes. Be night she’d come. I seen her.’ He paused, watching me intently. I didn’t say anything.’ I looked in on her once.’ He said, ‘and she turn on me, she did. ‘You don’t know me, do you?’ she said. ‘You have never seen me here, and you won’t again. If I catch you looking at me through the windows here, I’ll have you put to the asylum.’ She said. ‘You wouldn’t like that, would you? They are cruel to people in the asylum.’ She said….” [4](P263)
3.The second level of suspense: Rebecca’s death-- accident? Suicide? Or murder?
In the front of the novel, we get message from Mrs. Van Hopper’s mouth that Rebecca is drowned nearby the bay of Manderley. So, it is an accident? Maybe not. If only she and Maxim were an affectionate couple. And as we have analyzed the first level of suspense, the truth of Rebecca’s death is the second level. According to the position of the suspense in the whole writing, suspense can be classified to partial suspense and full-text suspense.
As in the first level of suspense, Rebecca and Maxim's relation doesn't expose unless Chapter 19. It’s a full-text suspense. Now, a second level of suspense forms. Readers may guess and look back again. We all wonder if there is something that shows. Yes, when Maxim tells "I" that he shoots Rebecca, readers may stop again to think over.
The poem appears in the front of the novel is a significant indication.
"The volume was well worn, well thumbed, falling open automatically at what must be a much-frequented page." [4](P36) Why does Maxim always read this page of the poetry? What is its importance? Daphne is a careful and smart designer. She wouldn't write words wastefully. Every word leads to suspense.
"I fled Him, down the nights and down the days;
I fled Him, down the arches of the years;
I fled Him, down the labyrinthine ways
of my own mind; and in the midst of tears
I hid from Him; and under running laughter.
Up vistaed slopes I sped
And shot, precipited
Adown Titanic glooms of chasmed fears,
From those strong feet that followed, followed after." [4](P36)
Maxim takes along this poetry and reads this page time to time. Is he fleeing something? What is he hiding from on earth? In the latter chapters, Mrs. Danvers mentions about Rebecca's laughs. Say, when Rebecca fights with her cousin and wins. She cracks her whip over his head and down he comes, head-over heels, cursing and laughing.
"So was everybody who knew her. She didn't care. She only laughed. I shall live as I please, Danny" [4](P256)
Rebecca makes men love her but she just laughs and doesn't care them at all. She won't love anything, except herself.
Rebecca's laughs shade Maxim always, they are curse to Maxim. After shooting Rebecca, he is living with fear to be found out.
Rebecca sits on the hills above Monte Carlo, laughing, tearing a flower to bits in her hands, after a bargain with her husband. She laughs at her husband's care about his Manderley. She laughs at his sacrifice on pride, honor, personal feelings, every quality about fame. After her bargain with Maxim, she laughs like the devil.
"She threw back her head and laughed."[4](P291) Because she knows that Maxim can’t prove anything against her, she has got a big triumph.
"She waited a minute, rocking on her heels, and then she lit a cigarette and went and stood by the window. She began to laugh. She went on laughing, I thought she would never stop." [4](P292)
Even when she is shot by Maxim, she is still smiling. "I fired at her heart. The bullet passed right through. She did not fall at once. She stood there, looking at me, that slow smile on her face, her eyes wide open..." Maxim hasn't realized this meaning of the smile until (in the end of the novel) they get files from the doctor that Rebecca has got a cancer before she dies. She foresees the whole thing. So she lies to Maxim on purpose. It is the last supreme bluff. She wants to be killed by Maxim that means to destroy him, also. That is why she laughs. That is why she stands there laughing when she dies. What a wicked and cunning laugh it is!
As in the poem, Maxim lives under Rebecca's damn laughs. All this strained shapes answers the second suspense: Maxim can’t bear any longer and kills Rebecca. It is neither an accident nor a suicide.
"...And in the daytime, Frith would hear him (Maxim) in the library pacing up and down. Up and down, up and down."[4](P180) In addition, Maxim doesn't want to go to the beach where the white cottage stands. He says impatiently," I never go near the bloody place, or that Goddamned cottage. And if you had my memories you would not want to go there either, or talk about it, or even think about it." [4](P122) Maxim kills Rebecca in that cottage one night. It is no wonder that he says such words in chapter 19. Another clue for the second level of suspense.
4. The third level of suspense: whether Maxim can escape from Rebecca's conspiracy?
The first two levels of suspense have given readers large space to image. We rely on our experiences and imagination to what is happening. The art of the suspense lies in this. People like unexpected answers and intricate plots. Daphne attracts not only reader's attention but also their abilities to investigate. There are two possibilities: Maxim will be sentenced because of murder if it is Rebecca who wins the game. Will she? Or can Maxim escape? At this point, suspense pushes the story to a new high tide.
4.1The first turning
Because a ship strands near the bay of Manderley, Rebecca's little boat is discovered, so is her dead body. Maxim told "me" everything about his murder of Rebecca. But to our surprise, they are lucky enough. Because the magistrate judges Rebecca is trapped there, in the cabin. The jury will believe. Every one is relaxed to read this phrase. Though in the inquest, holes made by Maxim are referred, the jury considers it as a suicide, without sufficient evidence to show the state of mind of the decease. Anyhow, Maxim and "I" are away from danger, no matter the judgement is an accident or a suicide.
4.2 The second turning
However, Favell appears with a note in Manderley. With this note which Rebecca writes to Favell, Favell can overturn the jury's judgement, Maxim will be sentenced. This time, can Maxim be lucky enough? There is suspense again.
Daphne emphasizes that tension step by step.
"There was no sound but the steady falling rain. It fell without a break, steady, straight, and monotonous."[4](P343) This is the situation while they are waiting for Colonel Julyan, the magistrate of Kerrith, to investigate. Then Ben is brought as a witness. But Favell fails. Being frightened by Rebecca, Ben insists on seeing nothing.
4.3The third turning
And all of them have to go to London to search for a doctor who Rebecca has met the day she dies. They drive to London to the doctor's. "I" am upset. "We did not know what we should find at the end of our journey. The future was unknown."[4](P373)
To everyone's surprise, the doctor's files show that Rebecca gets a cancer! So it's naturally to accept her death as a suicide. Favell can't frighten Maxim any more. How unexpected the result is!
5. Conclusion
In this novel, suspense skill has been used in a specific way and arranged well. Moreover, smaller suspense has mutual relations in or among each level. This kind of arrangement not only becomes the motive force which helps the plots develop but also draws readers to read and guess what is in the next step.
In conclusion, skill of suspense is used as an art in Rebecca, which makes it to be one of most famous suspense novels in the 20th Century.
References
[ 1](英)D.杜穆里埃原著；林记明，郝杰译.《蝴蝶梦》. 北京：语文出版社，1997.1 [M]
[2](英)达夫妮·杜穆里埃(Daphne du Maurier)著；林智玲，程德译. 《蝴蝶梦》 南京：译林出版社，1997 [M]
[3]（英）Daphne du Maurier原著；莫里哀著; 毁君懿译.《蝴蝶梦》. 济南：山东人民出版社，1980.12 [M]
[4] Daphne du Maurier 原著；王家湘评注.《蝴蝶梦》.北京：外语教学与研究出版社，1992.8 [M]
[5]达夫妮·杜穆里埃著 周亮编译（中英对照）《蝴蝶梦》北京：中国书籍出版社，2005年01月第1版[M]
[6]黄晓红.《远大前程》的悬念艺术.湖南:湖南冶金职业技术学院学报.2005.3[J]
[7]王蓓. 《 ″隐身见形″ :一种塑造人物的独特手法—世界名著〈吕蓓卡〉创作艺术浅析》.河南：中华女子学院学报.2001.12 [J]
[ 8]许绮. 《试析〈蝴蝶梦〉中石南花的意象》.广东:韶关学院学报.2004.11[J]
[ 9] CD光盘 厦门音像出版社[制作] .《蝴蝶梦》 厦门：厦门音像出版社，1997
[10] http://travel.yninfo.com/rwdlzz/ytx/2005/2005-04/2005-04-13/1113356088_5/
[11] http://www.wentan.com/html/renwu/wtstar/2005-10/27/19928.html
[12] http://www.netsh.com.cn/bbsjh/18833/3/6210.html
中医按摩治疗早泄的方法
医按摩是通过刺激穴位,改善血液循环的功能,对于治疗男性早泄有很大作用。下面小编带你了解中医按摩治疗早泄的方法，希望对你有帮助!
中医按摩治疗早泄的方法
1、自我保健疗法:点按两侧三阴交,轮流进行,点按时做收腹提肛动作。每日1～2次,每次30～40分钟。
2、关元穴位置:脐下四指处。关元穴位于人体“阴脉之海”的任脉,肚脐之下3寸的位置,又称为下丹田,具有培补元气、强壮身体的作用。这里的寸是同身寸,每个人手掌四指并拢的宽度,就相当于同身寸的3寸,所以,要找到关元也很简单,在人体正中线上,从肚脐向下量出四指宽的距离,就是关元穴。
3、按摩方法:自我按摩时,首先可以以关元为圆心,左或右手掌做逆时针及顺时针方向摩动3—5分钟;随呼吸按压关元穴3分钟。
4、坐式疗法:患者取坐式,闭目放松,取上星、百会、通天、肩井、中府、神门、劳宫等,手法采用点、按、揉、拿、振颤等手法,每次30～40分钟。
5、俯卧式疗法:患者取俯卧式,腰带松开,闭目,全身放松。取穴为心俞、肝俞、肾俞、命门、阳关、环跳、昆仑、委中。手法应用点、按、揉搓、拍打、振颤等手法。每日治疗30～40分钟,每周5次,坚持治疗1个月。
6、仰卧式疗法:患者取仰卧式,闭目,全身放松。取穴为中脘、气海、关元、中极、天枢、足三里、三阴交、涌泉。采取点按、点揉、搓拿、点切等手法。每次30～40分钟,每周5次,坚持1个月为1疗程。
男人早泄的表现
1、性生活时间短
男性在性生活时未接触或刚接触女方外阴,或___抽动时间短暂,尚未达到性欲高潮即行射精,随后阴茎疲软的现象,在性交的潜伏期经常是低于四分钟的现象。
2、心理表现
男性经常的会出现一些心理负担,可能会由于性经验不足,夫妻感情不和或者是过度的手淫,性生活不好等,会出现紧张、忧虑、恐惧的一些心理表现,这也是导致早泄的主要原因。
3、精神现象
患有早泄有精神抑郁、焦虑或头晕、神疲乏力、记忆力减退等全身早泄的临床症状。并长期伴有精神不振,神疲倦怠,夜寐不安,精薄清冷,心悸不宁等。
治疗早泻的食物
1、山药
性平,味甘,有健脾、补肺、固肾、益精之功,无论是阴虚火旺或是肾气不固而遗精早泄者,均宜常食多食。唐代食医孟诜曾说:“山药利丈夫,助阴力。”《日华诸家本草》记载:“山药助五脏,主泄精健忘。”《本草求真》亦云:“山药,本为食物,且其性涩,能治遗精不禁。”若能配合其他补肾固精食品,如芡实、莲子等一并服食,效力更佳。
2、芡实
性平,味甘涩,能固肾涩精、补脾止泄。明代医家缪希雍称芡实为“补脾胃,固精气之药也”。《本草纲目》也认为,芡实“益肾,治遗精”。wuyi洛在《本草从新》中亦云:“芡实补脾固肾,助气涩精,治梦遗滑精。”古代不少治疗遗精早泄的名方,如金锁固精丸、玉锁丹、水陆二仙丹等,均是以芡实为主,配合莲须、龙骨或金樱子等研制而成。《本草新编》的经验是:“芡实不特益精,且能涩精补肾,与山药并用,各为末,日日米饭调服。”
3、胡桃仁
能补肾固精,为滋补强壮食品,肉能润养,皮能敛涩,故肾虚遗精者宜食之。明代医家缪希雍说:“胡桃能入肾固精”。清·黄宫绣亦云:“胡桃涩精固肾。”《普济方》中记载:胡桃治“水弱火强,精自溢出。”这又说明对于心肾不交、阴虚火旺的遗精早泄者亦宜。《御药院方》中介绍:“胡桃一味,勿去黄皮,空腹食之,最能固精。”
4、白果
又称银杏,对遗精者宜蒸熟、炒熟或煨熟食用。明·李时珍曾说:“熟食温肺益气,定喘嗽,缩小便,止白浊。其气薄味厚,性涩而收。”《本草再新》认为,白果“补气养心,益肾滋阴”。民间常将白果作为治疗遗精的食品。如《山东中药》中载:白果“治遗精,遗尿。”《湖南药物志》中介绍:“治梦遗:银杏三粒,酒煮食,连食四至五日。”中国药科大学叶橘泉教授的经验有二,一是用白果仁10克,炒后入水煎,加糖,连汤食之,或炒燥研粉服。二是用生白果仁2~3粒,研末,另取鸡蛋1个,开个小孔,将白果末塞入鸡蛋,以纸糊封,于饭锅上蒸熟,每日吃蛋1~2个。[美食杰]
5、莲子
性平,味甘涩,能养心、益肾、补脾、固涩,体虚遗精早泄之人均宜食用,尤其是心肾不交而遗精者,食之更佳。正如明代医家李时珍所说:“莲肉清心固精,安靖上下君相火邪,使心肾交而成既济之妙。”所谓“君相火邪”是指心火肾火,心肾不交而言。《玉楸药解》中亦云:“莲子甘平,甚益脾胃,而固涩之性,最宜滑泄之家,遗精便溏,极有良效。”清代名医王孟英也指出:“固下焦,已遗精,可磨以和粉作糕或同米煮为粥饭,健脾益肾,颇着奇勋。”古代用以治疗“心肾不交而遗精”的清心莲子饮和瑞莲丸,治“梦遗泄精”的莲肉散等,均是以莲子为主的名方。
看过“中医按摩治疗早泄的方法”的人还看了：
1.中医按摩早泄疗法
2.中医治疗男性早泄的方法
3.阳痿早泄如何自我按摩治疗
4.中医治疗早泄的药方
5.治疗早泻的穴位
中医按摩早泄疗法
中医按摩是通过刺激穴位,改善血液循环的功能,对于治疗男性早泄有很大作用。下面小编带你了解中医按摩早泄疗法，希望对你有帮助!
中医按摩早泄疗法
1、自我保健疗法:点按两侧三阴交,轮流进行,点按时做收腹提肛动作。每日1～2次,每次30～40分钟。
2、关元穴位置:脐下四指处。关元穴位于人体“阴脉之海”的任脉,肚脐之下3寸的位置,又称为下丹田,具有培补元气、强壮身体的作用。这里的寸是同身寸,每个人手掌四指并拢的宽度,就相当于同身寸的3寸,所以,要找到关元也很简单,在人体正中线上,从肚脐向下量出四指宽的距离,就是关元穴。
3、按摩方法:自我按摩时,首先可以以关元为圆心,左或右手掌做逆时针及顺时针方向摩动3—5分钟;随呼吸按压关元穴3分钟。
4、坐式疗法:患者取坐式,闭目放松,取上星、百会、通天、肩井、中府、神门、劳宫等,手法采用点、按、揉、拿、振颤等手法,每次30～40分钟。
5、俯卧式疗法:患者取俯卧式,腰带松开,闭目,全身放松。取穴为心俞、肝俞、肾俞、命门、阳关、环跳、昆仑、委中。手法应用点、按、揉搓、拍打、振颤等手法。每日治疗30～40分钟,每周5次,坚持治疗1个月。
6、仰卧式疗法:患者取仰卧式,闭目,全身放松。取穴为中脘、气海、关元、中极、天枢、足三里、三阴交、涌泉。采取点按、点揉、搓拿、点切等手法。每次30～40分钟,每周5次,坚持1个月为1疗程。
男人早泄的表现
1、性生活时间短
男性在性生活时未接触或刚接触女方外阴,或___抽动时间短暂,尚未达到性欲高潮即行射精,随后阴茎疲软的现象,在性交的潜伏期经常是低于四分钟的现象。
2、心理表现
男性经常的会出现一些心理负担,可能会由于性经验不足,夫妻感情不和或者是过度的手淫,性生活不好等,会出现紧张、忧虑、恐惧的一些心理表现,这也是导致早泄的主要原因。
3、精神现象
患有早泄有精神抑郁、焦虑或头晕、神疲乏力、记忆力减退等全身早泄的临床症状。并长期伴有精神不振,神疲倦怠,夜寐不安,精薄清冷,心悸不宁等。
治疗早泻的食物
1、山药
性平,味甘,有健脾、补肺、固肾、益精之功,无论是阴虚火旺或是肾气不固而遗精早泄者,均宜常食多食。唐代食医孟诜曾说:“山药利丈夫,助阴力。”《日华诸家本草》记载:“山药助五脏,主泄精健忘。”《本草求真》亦云:“山药,本为食物,且其性涩,能治遗精不禁。”若能配合其他补肾固精食品,如芡实、莲子等一并服食,效力更佳。
2、芡实
性平,味甘涩,能固肾涩精、补脾止泄。明代医家缪希雍称芡实为“补脾胃,固精气之药也”。《本草纲目》也认为,芡实“益肾,治遗精”。wuyi洛在《本草从新》中亦云:“芡实补脾固肾,助气涩精,治梦遗滑精。”古代不少治疗遗精早泄的名方,如金锁固精丸、玉锁丹、水陆二仙丹等,均是以芡实为主,配合莲须、龙骨或金樱子等研制而成。《本草新编》的经验是:“芡实不特益精,且能涩精补肾,与山药并用,各为末,日日米饭调服。”
3、胡桃仁
能补肾固精,为滋补强壮食品,肉能润养,皮能敛涩,故肾虚遗精者宜食之。明代医家缪希雍说:“胡桃能入肾固精”。清·黄宫绣亦云:“胡桃涩精固肾。”《普济方》中记载:胡桃治“水弱火强,精自溢出。”这又说明对于心肾不交、阴虚火旺的遗精早泄者亦宜。《御药院方》中介绍:“胡桃一味,勿去黄皮,空腹食之,最能固精。”
4、白果
又称银杏,对遗精者宜蒸熟、炒熟或煨熟食用。明·李时珍曾说:“熟食温肺益气,定喘嗽,缩小便,止白浊。其气薄味厚,性涩而收。”《本草再新》认为,白果“补气养心,益肾滋阴”。民间常将白果作为治疗遗精的食品。如《山东中药》中载:白果“治遗精,遗尿。”《湖南药物志》中介绍:“治梦遗:银杏三粒,酒煮食,连食四至五日。”中国药科大学叶橘泉教授的经验有二,一是用白果仁10克,炒后入水煎,加糖,连汤食之,或炒燥研粉服。二是用生白果仁2~3粒,研末,另取鸡蛋1个,开个小孔,将白果末塞入鸡蛋,以纸糊封,于饭锅上蒸熟,每日吃蛋1~2个。[美食杰]
5、莲子
性平,味甘涩,能养心、益肾、补脾、固涩,体虚遗精早泄之人均宜食用,尤其是心肾不交而遗精者,食之更佳。正如明代医家李时珍所说:“莲肉清心固精,安靖上下君相火邪,使心肾交而成既济之妙。”所谓“君相火邪”是指心火肾火,心肾不交而言。《玉楸药解》中亦云:“莲子甘平,甚益脾胃,而固涩之性,最宜滑泄之家,遗精便溏,极有良效。”清代名医王孟英也指出:“固下焦,已遗精,可磨以和粉作糕或同米煮为粥饭,健脾益肾,颇着奇勋。”古代用以治疗“心肾不交而遗精”的清心莲子饮和瑞莲丸,治“梦遗泄精”的莲肉散等,均是以莲子为主的名方。
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